Back in the ’90s, when the blockbuster age was in full swing, with the independent film revolution happening right alongside it, I knew who I was rooting for on a weekly basis. I’ll confess that I sometimes thought of popcorn-movie audiences as the “bad guys,” and the audiences for adventurous indie and foreign films as the “good guys.” The bad guys kept the engine of escapism whirring. But the good guys helped to sustain cinema as an art form. That may sound snobby or unfair, but it’s how I thought of it.
I am not sure where I fit into that (snobby and unfair) narrative. I go at least twice a week and watch most of the big movies and the majority of genre films. I’ll also try and watch any foreign-language films that catch my interest, even though quite a few are only shown in a slightly more distant and inconvenient to get to multiplex.
Am I someone who loves the cinema the most? Dunno.
I am not sure where I fit into that (snobby and unfair) narrative. I go at least twice a week and watch most of the big movies and the majority of genre films. I’ll also try and watch any foreign-language films that catch my interest, even though quite a few are only shown in a slightly more distant and inconvenient to get to multiplex.
Am I someone who loves the cinema the most? Dunno.